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dc.contributor.authorJackson, Ladislavcs
dc.date.accessioned2021-02-22T15:56:24Z
dc.date.available2021-02-22T15:56:24Z
dc.date.issued2021-02-19cs
dc.identifier.other169686cs
dc.identifier.urihttp://hdl.handle.net/11012/196351
dc.description.abstractIn 1931, the Vienna publishing house Anton Schroll & Co. published Heinrich Kulka’s extensive monograph on Adolf Loos. In his text, Kulka discussed Loos’s idea of being an architect, he wrote about ornament and the reduction of ornament, and then, on about one page, he outlined Loos’s space concept, which he named “raumplan”. He emphasized a better organization and rationalization of interior space as Loos’s main innovation. However, when we look at Loos’s 1920s and 1930s houses, they boast of a huge waste of space (and money). After Loos’s death in 1933, many of his apprentices continued designing “in the Loos manner”, as Heinrich Kulka promoted his projects from the mid-1930s. At the same time, we can see that the apprentices‘ projects do not achieve Loos’s spatial qualities and proportions and their works had been contaminated with other inventions of architectural avant-garde. What was the real purpose of the invention and use of the term “raumplan“ by Loos’s pupils and has there been anything like that after Loos’s death? The lecture will try to answer this question using examples of post-Loos works by Heinrich Kulka and Kurt Unger from 1933 to 1939.en
dc.formattextcs
dc.format.extent-cs
dc.format.mimetypeapplication/pdfcs
dc.language.isoencs
dc.publisherVirginia Tech, School of Architecturecs
dc.relation.urihttps://archdesign.caus.vt.edu/events/the-raumplan-and-has-there-been-one-after-adolf-loos/cs
dc.rightsCreative Commons Attribution-NonCommercial-NoDerivatives 4.0 Internationalcs
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/cs
dc.subjectmodern architectureen
dc.subjectAdolf Loosen
dc.subjectHeinrich Kulkaen
dc.subjectKurt Ungeren
dc.subjectraumplanen
dc.subjectarchitectureen
dc.subjecthouseen
dc.subjectdomestic interioren
dc.titleThe “Raumplan” and has there been one after Adolf Loos?en
thesis.grantorVysoké učení technické v Brně. Fakulta výtvarných umění. Katedra teorií a dějin uměnícs
sync.item.dbidVAV-169686en
sync.item.dbtypeVAVen
sync.item.insts2021.02.22 16:56:24en
sync.item.modts2021.02.22 16:16:05en
dc.rights.accessopenAccesscs
dc.type.driverlectureen
dc.type.versionpublishedVersionen


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Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Except where otherwise noted, this item's license is described as Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International